In their ambition to capture “real life,” Japanese painters, poets, novelists and photographers of the nineteenth century collaborated in ways seldom explored by their European contemporaries. This course offers learners the chance to encounter and appreciate behavior, moral standards and some of the material conditions surrounding Japanese artists in the nineteenth century, in order to renew our assumptions about what artistic “realism” is and what it meant.
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Words Spun Out of Images: Visual and Literary Culture in Nineteenth Century Japan
Université de TokyoÀ propos de ce cours
16 161 consultations récentes
Dates limites flexibles
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Certificat partageable
Obtenez un Certificat lorsque vous terminez
100 % en ligne
Commencez dès maintenant et apprenez aux horaires qui vous conviennent.
Niveau débutant
Approx. 30 heures pour terminer
Anglais
Sous-titres : Français, Portugais (européen), Russe, Anglais, Espagnol
Compétences que vous acquerrez
- Art History
- Poetry Writing
- Art
- History
Dates limites flexibles
Réinitialisez les dates limites selon votre disponibilité.
Certificat partageable
Obtenez un Certificat lorsque vous terminez
100 % en ligne
Commencez dès maintenant et apprenez aux horaires qui vous conviennent.
Niveau débutant
Approx. 30 heures pour terminer
Anglais
Sous-titres : Français, Portugais (européen), Russe, Anglais, Espagnol
Offert par
Université de Tokyo
The University of Tokyo was established in 1877 as the first national university in Japan. As a leading research university, UTokyo offers courses in essentially all academic disciplines at both undergraduate and graduate levels and conducts research across the full spectrum of academic activity.
Programme de cours : ce que vous apprendrez dans ce cours
8 heures pour terminer
Samurai Portraits
One good way to gauge the distance between literary and visual culture in early modern Japan is to examine the ways in which painters and poets depicted their contemporaries. Portraits of samurai are especially rich in information about how men at the top of the social ladder wished to be “viewed” as physical entities, and how they expressed themselves as moral actors within society. In the first module, we will learn the basic formal aspects of samurai portraiture, and at the same time begin to interpret poems and prose inscribed onto the images themselves.
8 heures pour terminer
12 vidéos (Total 102 min), 1 lecture, 13 quiz
9 heures pour terminer
Painted Beauties
Visual images of women produced in Japan before the introduction of photography can be divided into two types: portraits of women who actually existed in society, and painted or printed images of idealized “beauties,” whose resemblance to physical reality was subsumed often to an intense interest in mode and situational aspect. Like samurai portraits, images of women, both real and imagined, would often be inscribed with texts which instruct viewers how to understand and appreciate them. In this module, we will overview several painted and printed images, and learn how contemporary viewers used these images and their texts as a tool to understand the world.
9 heures pour terminer
14 vidéos (Total 105 min)
6 heures pour terminer
The Literary Photograph I
What methods did early modern Japanese artists and writers have at hand to “capture the moment,” and how did these methods influence the introduction and adaption of western photography in the mid-nineteenth century? In this module we will see how photographic modes of representation were assimilated into the literary tradition of portraiture, which was covered in modules 1 and 2.
6 heures pour terminer
8 vidéos (Total 75 min)
6 heures pour terminer
The Literary Photograph II
Our final module traces the trajectory of the literary photograph from the end of the long nineteenth century into Japan’s modern era. Photographic images of the human figure in late nineteenth and early twentieth century Japan were often accompanied by literary writing inscribed either on the image itself, or on its reverse side. Modern novelists sometimes published photographs with short poems as captions. We will wrap up our course with a summary of how visual and written modes of representation colluded, and combined to produce powerful documents of social and psychological actuality.
6 heures pour terminer
9 vidéos (Total 78 min)
Avis
- 5 stars85,49 %
- 4 stars11,26 %
- 3 stars2,62 %
- 2 stars0,30 %
- 1 star0,30 %
Meilleurs avis pour WORDS SPUN OUT OF IMAGES: VISUAL AND LITERARY CULTURE IN NINETEENTH CENTURY JAPAN
par JA15 déc. 2018
i loved it! it was very detailed in terms of historical literature and photographic culture and the narrator really explained everything very well.
par AB25 juil. 2020
A very inspiring and informative course. Really broadened my ways of viewing not only Japanese art and literature, but also any other form of art from any part of the world.
par WD28 déc. 2020
This course provided me a perspective on writing and imagery that I had not considered. A welcome addition to my knowledge of Japan!
par LS19 avr. 2021
Great course for anyone new to Japanese visual and literary culture. The instructor is clear, engaging and incredibly knowledgeable on the topic.
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