À propos de ce cours : Everything comes together in the Capstone. You will draft a complete story, narrative essay, or memoir of 8–15 pages. With the advice of your peer readers, you will revise, rewrite, and complete it. The skills you’ve learned of plotting, setting, physical description, characterization, and stylistic clarity and innovation will culminate in an original work of art all your own. We’ll discuss the steps that professional writers take to bring their work into the public world. Along the way you’ll learn the patient habits of revision that make up the writer’s life.
Créé par : Université Wesleyenne
Enseigné par : Salvatore Scibona, Frank B. Weeks Visiting Professor of English
| Informations de base | Cours 5 de 5 dans Creative Writing Specialization |
| Engagement | 7 weeks of study, 3-5 hours/week |
| Langue | English |
| Comment réussir | Réussissez tous les devoirs notés pour terminer le cours. |
| Notes des utilisateurs |
Programme de cours
SEMAINE 1
Introduction to the Capstone and Gathering Materials
This week we lay out the agenda of the Capstone—seven weeks of structured work in which you’ll proceed from your accumulated notes and exercises to a finished piece: Your Story. We discuss the upcoming sequence of critiques of your fellow students’s work and you assemble the materials for your first draft.
3 vidéos, 2 lectures
- Reading: Specialization Survey
- Vidéo: Where We've Been and Where We're Going
- Reading: Specialization Promo Codes
- Vidéo: The Elements of Story
- Vidéo: Gathering Materials
SEMAINE 2
Composition Strategies
Having gathered all your scraps, notes, research, exercises into one place, you now get moving on the first draft. Through interviews with Jaimy Gordon and Amy Bloom, we discuss composition strategies—the different ways different writers have approached the blank page and how they get moving toward a coherent whole.
5 vidéos
- Vidéo: Strategies for Making a Coherent Whole
- Vidéo: Interview with Amy Bloom, pt. 1
- Vidéo: Interview with Amy Bloom, pt. 2
- Vidéo: Interview with Jaimy Gordon
- Vidéo: Working on a First Draft
SEMAINE 3
Finishing the First Draft
Compose, compose, compose. This week is devoted completely to pushing through that crucial deadline: finishing your first draft by the end of the week. As you compose, you’ll get some advice from successful Wesleyan alumni writers who have gone from where you are to published books out there in the world.
6 vidéos
- Vidéo: Compose, Compose, Compose
- Vidéo: Una LaMarche
- Vidéo: Lin-Manuel Miranda
- Vidéo: Ayelet Waldman
- Vidéo: Becky Albertalli
- Vidéo: First Draft
Noté: First Draft
SEMAINE 4
Peer Review
Now that you’ve finished your first draft, it’s time to get ready for the first big peer review. This week we’ll talk about how to give good critique, and we’ll present a sample story and sample workshop. At the end of the week, you’ll write critiques of three of your fellow students’ work while they are busy critiquing yours.
4 vidéos, 1 lecture
- Vidéo: Giving Good Critique
- Reading: Manuscript for Workshop Demonstration
- Vidéo: Workshop Demonstration, pt. 1
- Vidéo: Workshop Demonstration, pt. 2
- Vidéo: Three Peer Reviews
SEMAINE 5
Using Critique and Sanding
Some of the critiques you’ve received will seem immediately right, some more challenging, some may seem averse to your goals. This week we discuss the “Dear Workshop” Letter: a way of settling your thoughts and making decisions about what to do with all that sometimes conflicting advice as you proceed toward the final draft. We also take a moment to do a shorter critique focused more closely on the word-level decisions that you and your fellow-writers have made. You’ll perform a “sanding revision” on a single page of three of your fellow writers’ stories—you’ll report to the writer all the places her language or punctuation could use clarifying, and, just as important, where they’re already working at their best.
6 vidéos, 1 lecture
- Vidéo: The Dear Workshop Letter
- Vidéo: What is a Debriefing?
- Vidéo: Debriefing Example: What The Conversation Looks Like
- Reading: Manuscript for Sanding Demonstration
- Vidéo: What Is Sanding?
- Vidéo: Sanding Demonstration
- Vidéo: Milestone for This Week: Sanding Submission
Noté: Sanding
SEMAINE 6
Rewriting and Publication
If the theme of Week Three was Compose, compose, compose, this week’s theme is Revise, rewrite; revise, rewrite. We’ll discuss different ways of reading and approaching your draft to catch the action and the language and the characterization from different angles. Through a conversation with Brando Skyhorse, we’ll also take a moment to discuss what to do after the class if you hope some day soon to publish your work.
5 vidéos
- Vidéo: Revise, Revise, Revise
- Vidéo: Introduction to Publication
- Vidéo: Brando Skyhorse on Publishing, pt. 1
- Vidéo: Brando Skyhorse on Publishing, pt. 2
- Vidéo: Making Progress
SEMAINE 7
Where to Go From Here?
By the end of this week, you will finish the final version of your story. We’ll discuss ways of continuing the creative momentum that’s brought you this far—whether through writers’ groups or conferences, or just through a daily writing practice. Once you turn in the final version of your piece, you’ll perform final critiques of the stories of three of your fellow writers and will likewise receive their evaluations of your work. Congratulations: you will have completed the Specialization.
4 vidéos, 1 lecture
- Vidéo: Workshops and Conferences
- Vidéo: Interview with Anne Greene about Conferences
- Reading: Online Writing Workshops
- Vidéo: Final Draft
- Vidéo: Congratulations!
Noté: Final Draft
FAQ
Comment cela fonctionne
Coursework
Each course is like an interactive textbook, featuring pre-recorded videos, quizzes and projects.
Help from Your Peers
Connect with thousands of other learners and debate ideas, discuss course material, and get help mastering concepts.
Certificates
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Créateurs
Université Wesleyenne
At Wesleyan, distinguished scholar-teachers work closely with students, taking advantage of fluidity among disciplines to explore the world with a variety of tools. The university seeks to build a diverse, energetic community of students, faculty, and staff who think critically and creatively and who value independence of mind and generosity of spirit.
Tarification
| Acheter le cours | |
|---|---|
| Accéder au contenu du cours | Disponible |
| Accéder au contenu noté | Disponible |
| Recevoir une Note Finale | Disponible |
| Obtenir un Certificat de Cours partageable | Disponible |
Notation et examens
Helpful program to tackle larger writing projects, detailing how to get started and keep momentum throughout.
Great instructions... professors...and exercises to strengthen your writing.
This program has been a wonderful experience. It's given me an opportunity to hone my writing skills and learn to accept praise and criticism. It's been a pleasure getting to know my classmates through their stories. I will miss their creativity and competence. My only regret is that it's over! I want to keep on going. Perhaps I'll take the specialization again......
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BC
I loved this course! The lectures were magnificent as were the interviews with visiting authors. A 20 minute view into a class at work parsing a mate's story was particularly interesting. My own experience with the reviews by my peers was quite the opposite. From the seven lines one wrote, it was clear that she had not read my story or had not read it carefully. Another copied and pasted most of my story in the comments section and added shallow praise at the end. That was not a problem. We were all directed to seek outside reviews and that is what I did with most noting the improvement in my writing. This class was a fine ending to the course of study and the professor was wonderful.