Chevron Left
Retour à Seeing Through Photographs

Avis et commentaires pour l'étudiant pour Seeing Through Photographs par Le Museum of Modern Art

4.7
2,259 notes
552 avis

À propos du cours

Although taking, sharing, and viewing photographs has become second nature for many of us, our regular engagement with images does not necessarily make us visually literate. This course aims to address the gap between seeing and truly understanding photographs by introducing a diversity of ideas, approaches, and technologies that inform their making. In this course you will look closely at photographs from the collection of The Museum of Modern Art and hear a variety of perspectives on what a photograph is and the ways that photography has been used throughout its nearly 180 year history: as a means of artistic expression, as a tool for science and exploration; as an instrument of documentation; to tell stories and record histories; and as a mode of communication and critique in our ever increasingly visual culture. Learning Objectives • Develop skills to better examine and understand the differences between photographs and photographic images. • Discover how context influences the production, circulation, and reception of photographic images. • Learn about different modes of artistic and technological experimentation and innovation in photography. • Investigate photography’s role in our increasingly visual culture....

Meilleurs avis

AQ

Mar 09, 2016

Seeing Through Photographs has given me a whole new way of looking at my own and other peoples' work. So many aspects, details and points of view, the world of photography now seems even more amazing.

EE

Jun 03, 2019

It was very insightful, and a good thing is they offered quizzes and other full content, which some other free courses do not, which really helps learning. Hope to go for other courses under them. :)

Filtrer par :

526 - 540 sur 540 Examens pour Seeing Through Photographs

par roxanne w

Jan 09, 2017

I found the course interesting, however I had trouble finding all of the written materials to read. Some were available online, but none were in our library system. I think it would be better if more of the reading was available to people. I also thought that the final assignment instructions were a bit confusing. As it is I never did get to upload the photographs for the final prompt. I asked for help on the forum, but no one responded.

par David F

Mar 06, 2016

This was an informative class. As a "newbie" to the Coursera community, I wanted to take a course that would expand my knowledge of art and culture while fitting within my hectic work and family schedule. Photography is something I engage in almost daily with my iPhone, so I took a chance and was not disappointed. Sarah Meister has curated a wonderful assortment of photographer artists that typify the historical and aesthetic advances in photography. The articles, videos, and slideshows were well constructed around the theme of each module. The articles would benefit from including some of the images discussed. This was not a major problem as I was able to Google most of them. The videos were interesting and of sufficient length not to strain my attention. The slideshows were my favored documents due to the inclusion of images and explanatory text. I did find it frustrating that some of the answers to the quiz assignments could not be found in the required reading, videos, or slideshows. As an educator, I can certainly understand wanting students to think critically but some of the questions were misleading, unanswerable based on the content, or appeared unrelated. Many of the items did not assess my understanding of the information so much as how closely I read for specific quotes or other esoteric content. This is further evidenced by the posts in the forums requesting guidance about certain items. Overall, the course is worth the effort and time if you are interested in the history of photography and its most notable practitioners.

par Jeanette F

May 30, 2016

It was short and interesting... and that is good. In the first week the readings were overwhelming and I was disappointed - but the other 5 weeks had short videos of interviews with photographers to go along with the concepts presented. Some of the quiz questions were looking for details that I felt were not important for the learner. Final assignment was good.

par michael m

Dec 14, 2016

i enjoyed the interviews -- hearing and seeing many different artists using the same medium in very different ways

par Priscila C d O

Sep 02, 2016

Nice, but I expected more (or something else).

par Neil R

Jun 04, 2016

I would have, if possible, not rated this course. I was not interested in the work of the more recent photographers/photo manipulators. This is a course for the art crowd, not for those interested in the history of photography.

par lillykainz

May 25, 2016

This Course is very interesting because it covers the work from iconic photographers since its invention in 1839 to these days. The "but" I found is : first, the required readings are very extensive, and second , the questions for the quizes are most of them too much specific, and there are so many photographers names that it is quite a challenge to have more than five questions right. Otherwise, it is a captivating MOOC, designed more for Photographers than lay public.

par Gustavo M

Feb 02, 2019

Boring

par Fricc S

Feb 06, 2017

abstract and uninformative stories about some photographersbut not about the profession of the photographer or the technical side of the work

Thank you for the opportunity to get acquainted with the course

par Deleted A

Apr 02, 2016

Vastly concerned with the esoteric minutia, ideas, and meanings assigned by others regarding photographs which most often aren't even closely aligned with the original artist's intentions.

A brief few mentions of how photography has changed over time with advances in technology and development of new techniques was mildly interesting, otherwise this course was predominantly meaningless. This course will most likely be of no benefit to people not viewing or creating fine art photography.

par Francesca S

Aug 21, 2017

I hoped that it was more professional, It was interesting but non technical.

par Jim W

May 31, 2016

If what you want is the sort of doctrinaire overview of fine-art photography that you might have learned in a university in the 1970s, this is exactly the course for you!

It's thoroughly saturated with the Museum of Modern Art mindset: the assumptions and interpretations are those touted by MoMA curators, and the photographers are chosen from the MoMA-approved pantheon. (The quiz questions tend to focus on course-content minutiae -- "Which commentator said X about Y?" -- to make sure you've drunk your art-establishment Kool-Aid.)

On the other hand, if you want to examine the diversity of photography through a variety of critical approaches -- Marxist, feminist, queer-theory, post-structural, whatever -- well, they don't allow none of that there here. This is strictly the Photography Gospel According to MoMA, and you either like it or lump it.

par Researt A V

Mar 11, 2016

http://researt.com/2016/03/11/e-learning-ed-arte-il-caso-moma/

par Yang G

Feb 15, 2016

repetitive content with other MOMA courses (modern art&idea)?? duh, not gonna pay $50 for this. :(

par Mandy R

May 25, 2017

This course sounded so interesting. It was however not well organized and had too great a time commitment attached to it. The readings were too long. I ended up giving up.