This course, part 2 of a 2-course sequence, examines the history of rock, primarily as it unfolded in the United States, from the early 1970s to the early 1990s. This course covers the music of Led Zeppelin, the Allman Brothers, Carole King, Bob Marley, the Sex Pistols, Donna Summer, Michael Jackson, Madonna, Prince, Metallica, Run-DMC, and Nirvana, and many more artists, with an emphasis both on cultural context and on the music itself. We will also explore how developments in the music business and in technology helped shape the ways in which styles developed. Emerging out of the experimental and ambitious years of late-60s psychedelia, rock splintered into a variety of styles in the 1970s as the music business continued to expand. By the end of the decade, punk and disco had challenged the excesses of the hippie aesthetic, as rock became more commercially streamlined and radio friendly. The emergence and rise of MTV transformed pop music and propelled the careers of Michael jackson and Madonna, while heavy metal and hip hop dominated the late 1980s. Nirvana leads alt-rock's return to simplicity in the early 1990s.
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Programme du cours : ce que vous apprendrez dans ce cours
Introduction
The Growing Rock Monster (1970-77)
A series of styles continue to develop the combinations of late-1960s psychedelia: blues-rock, southern rock, progressive rock, jazz-rock, theatrical rock, country rock, and singer-songwriters. Rock becomes increasingly ambitious. [Read Chapter 8 and work through listening guides for that chapter, viewing dedicated video.]
Black Pop, Reggae, and the Rise of Disco (1970-79)
Moving along a parallel but mostly separate path, black pop develops with the help of James Brown and Sly and the Family Stone. Motown continues, the rise of funk and Blaxploitation films. Bob Marley and reggae. The emergence of disco the reaction of rock fans. [Read Chapter 9 and work through listening guides for that chapter, viewing dedicated video.]
Mainstream Rock, Punk, and New Wave (1975-79)
Rock style from the early 70s are streamlined and labeled corporate rock, as the music business expands even further. The mega-album. Punk reacts with a return to simplicity. New wave develops the punk attitude. [Read Chapter 10 and work through listening guides and dedicated video.]
Principaux examens pour Histoire du rock, Partie 2
Excelent. Actually now is more fun to read about musicans (recently Iggy Pop & Black Sabbath) because context is better understood. (A bit weird that Tom Waits is not even mentioned)
John Covach's lectures are clear and well-thought out, and he does a good job of fielding the "fan mentality" that so often plagues other rock history and music history courses.
Enseignant
John Covach
Professor of Music and DirectorÀ propos de Université de Rochester
Foire Aux Questions
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