Flutes, you have to make sure that your sense of
exaggeration with the oboes is the same as the trombone one.
Can we just trombones, flutes, oboe in measure 132.
So we have [UNKNOWN].
Ready 132.
[SOUND] Last time you had a great accent on
the eighth note, you lost a little bit there.
[SOUND] Don't let the grace notes make it any sloppier.
Very fast until is close to the bit so it matches their accent.
Good, again.
Yeah, perhaps we can make the first melody a little bit more [INAUDIBLE].
Good, everyone back to one eighteen.
Is there a really squeaky chair or something?
>> No, It was the door.
>> It was the squeaky door.
>> I think it was the door.
It was the door, yeah.
So let's jump back to 118.
Clarinets and sax, it still feels like we're starting too strong.
And it's true, though, how do you exaggerate a mezzo forte.
Not really sure, but I think it all needs to be softer.
118.
[MUSIC]
There's a decrescendo on 121, right?
>> Yeah, yes.
>> So, if I'm in the audience, and I have a score, I, I don't have a
score, I have no idea this is decrescendo, you
have to make, transcribe the score every single detail.
118.
[MUSIC]