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Theatre and the Cold War

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Théatre et mondialisation

Université Louis-et-Maximilien de Munich (LMU)

4.7 (78 notes) | 4.8K étudiants inscrits

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Learn how theatre and globalization have affected each other over the past century, and how to conduct your own research on global theatre histories.

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4.7 (78 notes)

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LO

Apr 28, 2019

Theatre and Globalization should be core module in any Theatre Studies Programme.

GJ

Jun 13, 2018

I LOVED this course! Plans are to visit the university in the near future!

À partir de la leçon

East versus West: Cold War Rivaleries

Theatre and the Cold War; theatre as a site of the rivalry between East and West.

Theatre and the Cold War 1:46

The Iron Theatrical Curtain 2:12

Cultural Diplomacy 4:18

The Stanislawski System 4:05

Interview with Dr. Li Yinan 5:02

Porgy and Bess in the Soviet Union 9:14

Theatrical Public Goods 3:43

The Cost Disease 2:29

Interview with Prof. Stephen Wilmer 7:22

Decolonizing the Stage: Theatrical Interweaving 5:10

Enseigné par

Christopher Balme
Professor

Hello, and welcome back.

Last week, we looked at how certain cities developed into global hubs for

the distribution of theatre.

We examined how some theatres have played a key role

in the popularization of theatre in these cities, and the wider region.

Up until now, our focus has been on the late 19th, and

the first half of the 20th century.

Many of the developments we've been examining, the movement of touring

companies, the building of theatres, the importance of theater managers and

agents, came to an end with the outbreak of the Second World War.

This war marked a clear break with the old colonial system.

And, the post Second World War period saw two significant and

interrelated developments: the division of the world into two rival spheres,

a capitalist and a socialist one, known as the Cold War.

And secondly, the process of decolonization,

which created dozens of new states, most of them former colonies.

In some, there was great interest in creating new theatrical cultures.

Sometimes, an emulation of the western model, sometimes by

emphasizing local performance traditions, and often, in a combination of the two.

And, there's a third point,

too, that is often forgotten when we talk about theater in the postwar period.

The involvement of the state, in financing theater.

East and West, North and

South, governments slowly realized that they should finance theater and the arts.

So, these are the three interrelated phenomena,

that characterize global theater in the post war period: East-West rivalry,

decolonization, and the recognition of theater as a public good.

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