Why just write poems when you can write better ones? This course is built on the notion that the most exciting writing begins after the first draft. It is specifically for folks who believe that writing poems just to express oneself is like using the Internet just for email. After all, poetry can change the way you and your readers think of the world and its inhabitants; it can break new ground for language; turn a blank sheet of paper into a teeming concert of voices and music.
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Sharpened Visions: A Poetry Workshop
California Institute of the ArtsÀ propos de ce cours
Compétences que vous acquerrez
- Music
- Poetry Writing
- Art
- Creativity
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California Institute of the Arts
CalArts has earned an international reputation as the leading college of the visual and performing arts in the United States. Offering rigorous undergraduate and graduate degree programs through six schools—Art, Critical Studies, Dance, Film/Video, Music, and Theater—CalArts has championed creative excellence, critical reflection, and the development of new forms and expressions.
Programme de cours : ce que vous apprendrez dans ce cours
Introduction and the Poetic Line
Poetry orchestrates its music, arguments, tensions, and environment via arrangements of language into lines and stanzas. This week we’ll address the importance of the line break, perhaps the most conspicuous, signature tool in the poet’s toolkit. Do you break more for sound, for sense, visual effect, shape, a mix of several? We’ll participate in several line break exercises and remix found poems. Also: prepare for your first quiz and a fun first writing prompt.
Abstraction and Image
Abstraction doesn’t mean “deep,” and image doesn’t mean “picture.” Images are typically understood as anything you can literally touch/taste/see/hear/smell, and abstractions are those things for which we have symbols (a clock for “time,” a heart for “love”) but no image. Abstractions and images may fill our poems, but how can you tell what’s what, and how can you leverage them to compelling ends? This week we’ll work at finding new symbols to replace clichéd ones for abstractions and we’ll work at crafting images that do more than add furniture to a poem, but create systems of relationships, moods, and even style.
Metaphor and Other Formulas of Difference
Most of us think of simile and metaphor, personification and other similar figures of speech as being about similarities between objects, concepts, and entities. But the juice in these formulas comes from how different the two things being compared seem to be. This is why writing: “the shark moved like a fish” is, alone, a lot less interesting than saying “the shark moved like a squad car.” We’ll talk about how playing with difference via juxtaposition can create a range of poetic effects. Then you’ll write a poem built of one robustly developed or several contrasting juxtapositions.
Rhyme
This week we’ll explore how rhyme leverages patterns of sameness and how we can estrange similarity for compelling poetic effects. We’ll check out examples of “rhyme”—sonic, visual, conceptual—from outside of poetry too.
Avis
- 5 stars81,95 %
- 4 stars14,67 %
- 3 stars1,98 %
- 2 stars0,59 %
- 1 star0,79 %
Meilleurs avis pour SHARPENED VISIONS: A POETRY WORKSHOP
This course does a good job in covering the basics andpresenting you with interesting prompts. The workshop aspect really allows you to receive feedback which can be difficult to find elsewhere.
This was a superb workshop. I enjoyed myself thoroughly and learned a lot that came in my way. Grasping poetry devices taught in such an fun way was really awesome. The mentors were very supportive.
Very useful for beginners as well as seasoned poets! Peer reviewers are thorough and usually very helpful. This course has definitely guided me in the direction of pursuing poetry academically.
Greate course! Learnt a lot about Poetry Writing - the structure, the important type of words, personifications and type of poems etc. Will implement all of this in my writing moving forward.
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