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Avis et commentaires pour d'étudiants pour In the Studio: Postwar Abstract Painting par Le Museum of Modern Art

1,241 évaluations
553 avis

À propos du cours

Want to know how some of the 20th century’s most celebrated artists made abstract paintings? This course offers an in-depth, hands-on look at the materials, techniques, and thinking of seven New York School artists, including Willem de Kooning, Yayoi Kusama, Agnes Martin, Barnett Newman, Jackson Pollock, Ad Reinhardt, and Mark Rothko. Through studio demonstrations and gallery walkthroughs, you’ll form a deeper understanding of what a studio practice means and how ideas develop from close looking, and you’ll gain a sensitivity to the physical qualities of paint. Readings and other resources will round out your understanding, providing broader cultural, intellectual, and historical context about the decades after World War II, when these artists were active. The works of art you will explore in this course may also serve as points of departure to make your own abstract paintings. You may choose to participate in the studio exercises, for which you are invited to post images of your own paintings to the discussion boards, or you may choose to complete the course through its quizzes and written assessments only. Learners who wish to participate in the optional studio exercises may need to purchase art supplies. A list of suggested materials is included in the first module. Learning Objectives: Learn about the materials, techniques, and approaches of seven New York School artists who made abstract paintings. Trace the development of each artist’s work and studio practice in relation to broader cultural, intellectual, and historical contexts in the decades after World War II. Hone your visual analysis skills. Use each artist’s works as a point of departure for making your own abstract paintings....

Meilleurs avis

22 mai 2021

Excellent. The course was very educational, extremely well put together and Corey´s instruction was excellent. One really needed to put time and effort into it but is worth every second of time spend.

25 juil. 2020

Beyond my expectations! Encouraged by in studio where I discovered I could be successful experimenting with all the different artists. The knowledge, insight, and fascinating experience was joyous!

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501 - 525 sur 545 Avis pour In the Studio: Postwar Abstract Painting

par mia c

17 juil. 2021


par Daniel S K

18 déc. 2020

loved it!

par Bet

17 oct. 2020

Loved it.

par Catherine A J

29 juin 2020

Loved it!

par Ines Ž

20 juin 2020


par Brenda M

4 juin 2020



19 janv. 2020


par Iván M B L

9 oct. 2017


par Amitava S

9 mai 2020


par Guilherme D

28 déc. 2017


par Roberto B F

18 août 2017


par Eva J R

23 avr. 2017


par josé c l h

22 mars 2021



25 avr. 2020


par Povilas K

17 sept. 2019



6 août 2017


par Caroline G

2 juil. 2018


par Jing L

23 mai 2017


par Mona A A

6 juin 2021


par Diane M

15 juil. 2020

Until last week, I was extremely happy to be taking this course. Especially that it's online and available during these strange covid-19 times.

But I am experiencing another aspect of the course that's putting another light on taking it:

In the midst of my life tasks and responsibilities, and longing to simply get back to actually painting, all the many otherwise worthy Coursera homework assignments in the "In the Studio" course are becoming overwhelming to keep up with, or even to try. So I've mostly given up on doing the readings, and am right now just trying to watch as many of the videos as I can manage.

I'm trying to relax the tension I feel around the pink exclamation (!) mark that appears when I get an answer wrong on a test. And trying to just learn, and enjoy whatever I can manage to do in the course.

I have yet to actually do one of the painting exercises, which I thought would be great to learn from and the reason I signed up. I'm basically just trying to get off the computer so I can paint more, hopefully, with ideas and inspiration from Corey D'Augustine's instruction.

***I am wondering if all the artists we are learning about--Pollack, Milne and others--went through intensive academic instruction and testing, and whether they took intellectual learning of facts, and tests and grading as important, or even relevant to their work, other than as an intellectual restrictions to see beyond and go beyond.***

What I am suggesting is that you offer the choice of another way of going through the course, more experientially, without the intellectual demands and academic grading and punitive feedback; for artists and others who have genuine interest in the material. I'm sure Coursera is not aware of that as part of their art presentation, but it is. For anyone like myself, who did not have an easy time in school (and in liberal arts college and grad school programs), the grading and automated harsh feedback is unpleasant and counter to an artist's work and life. And it reawakens memories of how difficult a time I had in school.

I, like many other artists, used to think I must be lazy or unintelligent, and it's taken many years to realize I am intelligent and just need to be in and create an environment that suits my artistic style.

Academic punitiveness is not something that we should be having to deal with again as adults, and certainly not during these difficult covid-19 times. More spaciousness, choices and kindness are needed, in particular, around the Coursera testing feedback and homework.

I wonder if this academic conventional strictness is so ingrained in the culture that it might be invisible to those in academia?

Otherwise, it's a great course. And Corey D-Augustine is a great teacher.

I hope this response can be read and considered in future programming. Thank you very much for asking for feedback, and for this otherwise really excellent course.

par Allan M

11 mars 2021

Being a landscape painter, I wanted to open my mind to Absteact painting.

The course was easy to follow and the video demonstrations helped show the techniques used by the painters studied. At the end of each section futher reading was available or pointers to its location on line.

I enjoyed painting in the style of the painters we studied, however, one draw back for me was being in full Lockdown I only had limited materials to hand. (this would not been a problem normally) this ment I had to improvise,

A quiz at the end of each section are multipule choice, not my fav, with 80% pass mark, however, if you found you were weak on a part you can re read and resit.

Overall I enjoyed this look in to the world of Abstract Painting, but the worrying thing was that most of them ended up commiting suicide.


25 mars 2019

Se aprende mucho en cuanto al arte abstracto y su implicación en la sociedad y la forma de transmitir los que se siente y lo que piensa. Muy buen material y metodología del profesor D'Agustine. Me gustaría que pudieran poner el curso en español al menos por los subtítulos. Gracias.

You learn a lot about abstract art and its involvement in society and how to transmit what you feel and what you think. Very good material and methodology of Professor D'Agustine. I would like you to be able to put the course in Spanish at least for the subtitles. Thank you.

par Mary-Jane

25 avr. 2018

A very well put together course with great practical and theoretical information. I would have liked to see one or two of the women artists included such as Joan Mitchell and Helen Frankenthaler. I know it is difficult to include all the wonderful Abstract Expressionist artists, but my feeling is that it is worth increasing the length of the course to cater for these two artists. Alternatively, offer another Abstract Expressionist course - so have Part I (the current course) and Part II which follows on from Part I.

par Wil A

23 nov. 2019

great course, learned alot, in general though the online aspect is very confusing when it comes to grades and there seems to be no one to talk to about things... just email and that isn't solving things. still don't know if i will get my certificate and things look wrong in my progress on the computer to what it was supposed to be... no one seems to connect me to someone that can answer questions and fix things... i am really perplexed and will get very upset eventually, but no one seems to take responsibility!

par David D

3 juin 2017

So much fun. I only wish I was ready at the time to stretch my own canvas, squeeze the tubes and start painting.

What really made this course was the difference it makes when a painting is described for you. It makes abstract art so much more enjoyable than it would otherwise be - at least for myself. Plus you have to say the 'teacher' was quite skilled in all the various techniques and exceptionally clear in his presentations. Bravo!