About this course: Want to know how some of the 20th century’s most celebrated artists made abstract paintings? This course offers an in-depth, hands-on look at the materials, techniques, and thinking of seven New York School artists, including Willem de Kooning, Yayoi Kusama, Agnes Martin, Barnett Newman, Jackson Pollock, Ad Reinhardt, and Mark Rothko. Through studio demonstrations and gallery walkthroughs, you’ll form a deeper understanding of what a studio practice means and how ideas develop from close looking, and you’ll gain a sensitivity to the physical qualities of paint. Readings and other resources will round out your understanding, providing broader cultural, intellectual, and historical context about the decades after World War II, when these artists were active. The works of art you will explore in this course may also serve as points of departure to make your own abstract paintings. You may choose to participate in the studio exercises, for which you are invited to post images of your own paintings to the discussion boards, or you may choose to complete the course through its quizzes and written assessments only. Learners who wish to participate in the optional studio exercises may need to purchase art supplies. A list of suggested materials is included in the first module. Learning Objectives: Learn about the materials, techniques, and approaches of seven New York School artists who made abstract paintings. Trace the development of each artist’s work and studio practice in relation to broader cultural, intellectual, and historical contexts in the decades after World War II. Hone your visual analysis skills. Use each artist’s works as a point of departure for making your own abstract paintings.
Who is this class for: This course is for anyone interested in learning more about the materials and techniques of postwar abstract painting. Please note: No prior knowledge of art history or studio art is required. You may complete this course with written assessments only, or choose to participate in the studio component. The course includes a list of painting supplies you may want to purchase.
Taught by: Corey D'Augustine, Art conservator, technical art historian, and artist
Department of Education
| Level | Beginner |
| Commitment | 1-2 hours per week, plus additional time for optional studio exercises |
| Language | English |
| How To Pass | Pass all graded assignments to complete the course. |
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Enjoyable course. Postwar Abstraction is fascinating and this course does a great job presenting these artists in an exciting way.
Loved the demonstrations of how the painters featured may have approached/undertaken/achieved their individual results.
Amazing course, precise but deep at the same time, beautifully designed with a really interesting selection of painters. Corey is a GREAT teacher, very clear, very smart and inspiring. I enjoyed a lot!
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CJ
The technical aspect of art history was fascinating and really helped me understand and remember how the artist worked, and the development of their practice. I feel able to talk about these artists, the movements they are associated with, and to produce credible visual analyses of their work.