Welcome to Exploring Beethoven's Piano Sonatas Part 5! You’re joining thousands of learners currently enrolled in the course. I'm excited to have you in the class and look forward to your contributions to the learning community.
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Exploring Beethoven's Piano Sonatas Part 5
Institut Curtis de musique
À propos de ce cours
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Niveau intermédiaire
Approx. 13 heures pour terminer
Recommandé : 5 hours/week
Anglais
Sous-titres : Anglais
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Institut Curtis de musique
The Curtis Institute of Music educates and trains exceptionally gifted young musicians to engage a local and global community through the highest level of artistry. One of the most selective schools in the United States, Curtis accepts four percent of applicants each year on average. A tuition-free policy ensures that talent and artistic promise are the only considerations for admission. With a small student body of about 175, Curtis ensures that each young musician receives an education of unparalleled quality, distinguished by personalized attention from a celebrated faculty and a “learn by doing” philosophy. Curtis students hone their craft through more than 200 orchestra, opera, and solo and chamber music offerings each year in Philadelphia and around the world.
Programme du cours : ce que vous apprendrez dans ce cours
1 heure pour terminer
Welcome to Class
WELCOME TO CLASS! We are thrilled that you have joined us for Part 5 of Exploring Beethoven's Piano Sonatas course, taught by Jonathan Biss, Chair of Piano Studies at the Curtis Institute of Music. Jonathan is recognized as a world-renown concert artist and musical thinker. This course is Part 5 of the existing series called Exploring Beethoven’s Piano Sonatas. As with all sections of this course, Part 5 contains new and separate sets of lectures. Specifically, we will dive into Beethoven's Piano Sonata Op. 27, No. 1; Sonata Op. 31, No. 1; Hammerklavier, Op. 106, to which there are two dedicated lectures for this monumental work. It is important to remind you that it is not necessary to have taken the previous Exploring Beethoven's Piano Sonatas courses, in order to enroll in this one. We think you will be perfectly comfortable to start learning with Part 5 if you wish and continue backwards. Between these courses, there exists a large amount of additional resources and learning that might be helpful as you embark on Part 5. And of course, we strongly encourage you to take Parts 1, 2, 3 and 4, if you have not yet. In the meantime, have a terrific time taking this class and Part 5 of Exploring Beethoven’s Piano Sonatas.
1 heure pour terminer
3 lectures
3 lectures
Welcome to Part 5 of Exploring Beethoven's Piano Sonatas!10 min
Syllabus10 min
Getting to Know You10 min
1 heure pour terminer
Op. 27, No. 1
1 heure pour terminer
9 vidéos (Total 59 min)
9 vidéos
Bridging the Gap Between Fantasy and Sonata6 min
1st Movement: Unusual Form; Unusual Harmonic Stability7 min
1st Movement: A Joyous Disturbance of the Peace8 min
2nd Movement: A Scherzo of Extreme Economy and Drama6 min
2nd and 3rd Movements: A Magical “attacca” Transition5 min
3rd Movement: Less a Movement than a Setting of the Stage4 min
4th Movement: The Rondo the Sonata Has Been Heading Towards11 min
4th Movement: Further Blurring the Lines Between the Movements6 min
1 exercice pour s'entraîner
Final Quiz – Op. 27, No. 1 Quiz30 min
2 heures pour terminer
Op. 31, No. 1
2 heures pour terminer
11 vidéos (Total 73 min)
11 vidéos
1st Movement: Playing Poor Coordination for Laughs5 min
1st Movement: A Radical Move to the Mediant6 min
1st Movement: Obsessing Over his own Joke…5 min
1st Movement: …And Milking it for All It’s Worth5 min
2nd Movement: An Affectionate Wink at Italian Opera3 min
2nd Movement: Embellishment as Parody8 min
2nd Movement: From Parody to Profundity12 min
3rd Movement: Rondo as Riddle6 min
3rd Movement: Inspiring Schubert6 min
3rd Movement: A Coda filled with Surprise8 min
1 exercice pour s'entraîner
Final Quiz – Op. 31, No. 1 Quiz30 min
2 heures pour terminer
Op. 106: Hammerklavier (Part 1)
2 heures pour terminer
11 vidéos (Total 60 min)
11 vidéos
Putting the “Hammer” in “Hammerklavier”2 min
A Massive Work Unified by Two Motivic Fixations5 min
1st Movement: An Exposition that Establishes the Work’s Scope and its Principal Concerns10 min
1st Movement: A Fugal Development and a Return that Breaks Every Rule7 min
1st Movement: The Work’s B/B flat Conflict, Front and Center5 min
1st Movement: A Titanic Coda for a Titanic Movement5 min
2nd Movement: A Compact, At Times Riotous Scherzo2 min
2nd Movement: The Thirds Fixation, at its Most Concise4 min
2nd Movement: A Trio that Moves from Mysterious to Maniacal…7 min
2nd Movement: …and a Coda that is Yet More Maniacal4 min
1 exercice pour s'entraîner
Final Quiz – Op. 106 Part 1 Quiz30 min
Avis
4.9
Meilleurs avis pour EXPLORING BEETHOVEN'S PIANO SONATAS PART 5
par JSDec 26, 2019
Wow! stretched to 5 courses! It's amazing to watch this instructor. He's super knowledgeable and very likeable. And Beethoven's music is great.
par VSFeb 14, 2020
This is an excellent course and Jonathan Biss is a superb instructor!
Foire Aux Questions
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