Please join us for Part 4 of Exploring Beethoven's Piano Sonatas course, taught by Curtis faculty member and extraordinary concert artist, Jonathan Biss. This course is new and contains separate sets of lectures and sonatas that we not previously discussed. Specifically, in Part 4, we will cover Beethoven's Piano Sonatas Op. 2, No. 2, Op. 10, No. 3, Op. 28 and Op. 110. As with the other three Beethoven courses, it is not necessary to have taken the previous Exploring Beethoven's Piano Sonatas courses. We think you will be perfectly comfortable to start learning with Part 4, if you wish and go from here. There is always the option to go back to earlier parts at any time. Between these courses, there exists a large amount of additional resources and learning that might be helpful as you embark on Part 4. We certainly encourage you to take Parts 1, 2 and 3, if you have not yet. In the meantime, enjoy the class and Part 4 of Exploring Beethoven’s Piano Sonatas.
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Institut Curtis de musique
Programme du cours : ce que vous apprendrez dans ce cours
Semaine
11 heure pour terminer
Welcome to Class!
We are glad that you have joined us for Part 4 of Exploring Beethoven's Piano Sonatas course, taught by Curtis faculty member and extraordinary concert artist, Jonathan Biss! This course is considered Part 4, with new and separate sets of lectures. Specifically, in Part 4, we will cover Beethoven's Piano Sonatas Op. 2, No. 2, Op. 10, No. 3, Op. 28 and Op. 110. As with the other three Beethoven courses, it is not necessary to have taken the previous Exploring Beethoven's Piano Sonatas courses. We think you will be perfectly comfortable to start learning with Part 4, if you wish and go from here. There is always the option to go back to earlier parts at any time. Between these courses, there exists a large amount of additional resources and learning that might be helpful as you embark on Part 4. We certainly encourage you to take Parts 1, 2 and 3, if you have not yet. In the meantime, enjoy the class and Part 4 of Exploring Beethoven’s Piano Sonatas.
3 lectures
3 lectures
Welcome to Part 4 of Exploring Beethoven's Piano Sonatas!10 min
Syllabus10 min
Getting to Know You10 min
Semaine
21 heure pour terminer
Op. 2, No. 2
9 vidéos (Total 56 min), 1 quiz
9 vidéos
Haydn and Beethoven: Mixing the Sacred and the Profane4 min
1st Movement: Wit and Graciousness6 min
1st Movement: An Unexpected Emotional Range4 min
1st Movement: Harmonic Adventures in the Service of Character5 min
2nd Movement: Piety…6 min
2nd Movement: …and Intensity7 min
3rd Movement: Between Minuet and Scherzo4 min
4th Movement: “Grazioso” but on a Grand Scale9 min
1 exercice pour s'entraîner
Final Quiz – Op. 2 No. 2 Quiz
Semaine
31 heure pour terminer
Op. 10, No. 3
10 vidéos (Total 77 min), 1 quiz
10 vidéos
1st Movement: Rhythmic Displacement and Inconclusive “Endings”12 min
1st Movement: Complexity and Rhythmic Trickery8 min
2nd Movement: Beethoven’s First Great Tragic Slow Movement4 min
2nd Movement: Breadth and Lamentation7 min
2nd Movement: Intensity and Melodrama5 min
2nd Movement: Anticipating the “Ghost” Trio9 min
3rd Movement: After the Storm, a Gentle Menuet7 min
4th Movement: A Finale of Ambivalence and Mystery6 min
4th Movement: Avoiding the Straightforward, and Anticipating the Future11 min
1 exercice pour s'entraîner
Final Quiz – Op. 10, No. 3
Semaine
41 heure pour terminer
Op. 28
7 vidéos (Total 59 min), 1 quiz
7 vidéos
1st Movement: Using Rhythm and Harmony to Create a Cyclical Quality11 min
1st Movement: A Development of Sudden Drama9 min
2nd Movement: A Stoic Nature and Orchestral Scoring5 min
2nd Movement: Emotional Power without Histrionics9 min
3rd Movement: A Laconic Scherzo with Sly Humor8 min
4th Movement: A Cyclical Rondo to Cap a Cyclical Sonata12 min
1 exercice pour s'entraîner
Final Quiz – Op. 28 Quiz
Semaine
51 heure pour terminer
Op. 110
13 vidéos (Total 85 min), 1 quiz
13 vidéos
1st Movement: Tremendous Warmth in a Conventional Structure4 min
1st Movement: Ever-Rising Thematic Material9 min
1st Movement: A Development of Extreme Concentration7 min
1st Movement: A Visitation of E Major7 min
2nd Movement: The Profane Amidst the Sacred5 min
2nd Movement: A Trio of the Leash7 min
3rd Movement: A Recitative in search of Emotional Clarity6 min
3rd Movement: A Second Visitation of E Major – and Opus 1099 min
3rd Movement: The Arioso and The End of Hope5 min
3rd Movement: A Fugue as a Look Back and a Way Forward7 min
3rd Movement: a Second Arioso, “Weary” and Devastated…4 min
3rd Movement: …and the Triumph Born of that Devastation7 min
1 exercice pour s'entraîner
Final Quiz – Op. 110
Semaine
610 minutes pour terminer
Your Thoughts Welcome
Stay in touch with the Curtis Institute of Music
1 lecture
1 lecture
Stay in Touch with Curtis Institute10 min
5.0
6 avisMeilleurs avis
Mr. Biss is a wonderful teacher. He is able to convey his love of the music as well as help is students better appreciate these sonatas. The lessons learned will carry over to all my listening.
A most enjoyable exploration of the Beethoven Sonatas. A wonderful resource for anyone studying music or simply listening to the Sonatas for enjoyment. Highly recommended!
Enseignant
Jonathan Biss
Neubauer Family Chair in Piano StudiesPerformance Faculty
À propos de Institut Curtis de musique
The Curtis Institute of Music educates and trains exceptionally gifted young musicians to engage a local and global community through the highest level of artistry. One of the most selective schools in the United States, Curtis accepts four percent of applicants each year on average. A tuition-free policy ensures that talent and artistic promise are the only considerations for admission. With a small student body of about 175, Curtis ensures that each young musician receives an education of unparalleled quality, distinguished by personalized attention from a celebrated faculty and a “learn by doing” philosophy. Curtis students hone their craft through more than 200 orchestra, opera, and solo and chamber music offerings each year in Philadelphia and around the world.
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