About this course: Developed by David Owens at Vanderbilt University and customized for the cultural sector with National Arts Strategies, this course is designed to help arts and culture leaders create an environment where new ideas are constantly created, shared, evaluated and the best ones are successfully put to work. One of the toughest challenges for any leader is getting traction for new ideas. Winning support can be a struggle. As a result, powerful new ideas often get stuck. This is especially true in the cultural sector. People involved in arts and culture often have little time and even less money for experimentation and risks. This course will help those in the performing arts, museums, zoos, libraries and other cultural organizations build environments where new management and program ideas flourish. Leading Innovation in Arts & Culture will teach you how to make an "innovation strategy" a fundamental component of your organization's overall strategy. In this seminar you will learn to: - Analyze constraints on innovation in your organization, foresee obstacles and opportunities, and develop a shared vision - Develop a process to manage the demands of multiple stakeholders, shifting priorities and the uncertainty inherent in new initiatives - Create a culture for innovation and risk-taking that generates new perspectives and challenges existing practice - Create a strong customer focus within your organization that anticipates customer needs National Arts Strategies worked with David Owens to customize this course for those working in the cultural sector. They based their work on David Owens’ Leading Strategic Innovation in Organizations course. This highly interactive 8-week course will engage you in a series of class discussions and exercises.
Created by: Vanderbilt University, National Arts Strategies
Taught by: David A. Owens, PhD, PE, Professor
Practice of Management and Innovation
Taught by: Jim Rosenberg, Independent Consultant and Senior Advisor at NAS
| Language | English |
| How To Pass | Pass all graded assignments to complete the course. |
| User Ratings |
Syllabus
WEEK 1
Context of Innovation
We are in creative fields, so this stuff should be easy, right? But we hear all the time from people in the field that it really isn't. Conversations keep circling the same old ideas, while exciting possibilities languish. Our first module introduces the course by examining the context within which innovation takes place. We start by exploring the question of why innovation fails. The proposition is that it is more effective (and probably easier) to stop stopping innovation, than it is to get better at it. We'll look at a 6-level framework for understanding innovation constraints. Your goal is to gain a high-level overview of the course content.
5 videos, 4 readings, 1 practice quiz
- Video: Welcome Video
- Video: L1-Part 1: The Context of Innovation
- Video: L1-Part 2: Academic Theories of Innovation
- Video: L1-Part 3: Why Constraints Matter
- Video: L1-Part 4: Six Constraints in Overview
- Practice Quiz: Week 1 Reading and End of the Week Quiz
- Reading: Week 1 Slides
- Reading: Book Chapter: Creative People Must Be Stopped!
- Reading: Article Link: I Don't Want to Talk About Innovation: A Talk About Innovation
- Reading: Optional Readings
- Discussion Prompt: Week 1: I Don't Want to Talk About Innovation
- Discussion Prompt: Arts and Culture Virtual Meetup Forum
WEEK 2
Individual Level Constraints
Our second week starts our in-depth examination of the framework at the individual level. Everyone in arts and culture is creative, right? Well, probably more creative - or more comfortable with creativity - than the average person. But people in arts and culture also understand better than the average person that creativity is a process, and you can get better at that process. In our model of individual constraints we will look carefully at Perception Constraints, which are failures to gain access to new and relevant information; Intellection Constraints, which are failures in thinking strategies to expose new insights and relationships; and finally, Expression Constraints which represent failures in our ability to express or articulate our ideas in ways that allow us to test our thinking or convey them to others. Our goals this week are 1) to diagnose our susceptibility to these constraints, 2) to develop strategies for overcoming them, and 3) to recognize how others may experience these constraints as we share our ideas with them.
8 videos, 6 readings, 1 practice quiz
- Video: L2-Part 1a - Story of Spence Silver
- Video: L2-Part 1b - Paper Clip Exercise
- Video: L2-Part 2 - The Model - Perception Constraints
- Video: L2-Part 3 - Intellection Constraints
- Video: L2-Part 4 - Expression Constraints
- Video: L2-Part 5 - Process and Motivation
- Video: L2-Optional - In-Class Discussion: Ideation Strategies
- Video: L2-Part 6 - Project Tips - 101 Ideas
- Practice Quiz: Week 2 Reading and End of the Week Quiz
- Reading: Week 2 Slides
- Reading: Resource Link: Three Kinds of Imagination
- Reading: Resource Link: Neuroscience Sheds New Light on Creativity
- Reading: Resource Link: "American Artist Tears Apart Art Speak"
- Reading: Resource Link: "International Art English"
- Reading: Optional Readings
- Discussion Prompt: Week 2: Your Personal Innovation Barriers
Graded: Reflection - My Individual Constraints
WEEK 3
Group Constraints
The lone genius hard at work in her garret is, we know, not exactly how the world of art and culture really works. This week's topic is Group Innovation Constraints and is grounded in the research and insights of the field of social psychology. We will be exploring the way that group dynamics affect the problem of innovation. Our basic premise is that in order to move from a creative idea to an innovation, you will need the cooperation and collaboration of others. We will take critical looks at emotion processing in groups, at group cultural norms, at group processes, and even at the environments within which groups function.
10 videos, 4 readings, 2 practice quizzes
- Video: L3-Part 1 Introduction
- Video: L3-Part 2 Group Constraints Exercise
- Video: L3-Part 2b InClass Exercise Debrief
- Video: L3-Part 3 Emotion Constraints
- Video: L3-Part 4a Culture Constraints Example
- Video: L3-Part 4b Culture Constraints
- Video: L3-Part 5 Environment Constraints
- Video: L3-Part 6 Process Constraints
- Video: L3-Part 7 Leading Effective Brainstorms
- Video: L3-Part 8 InClass Idea Build
- Practice Quiz: Project Lifecycle Reflection
- Practice Quiz: Week 3 Reading and End of Week Quiz
- Reading: Week 3 Slides
- Reading: Resource Link: Open IDEO The Rules of Brainstorming
- Reading: Resource Link: The End of 'Genius'
- Reading: Optional Readings
- Discussion Prompt: Week 3: Constraints in Brainstorming Groups
Graded: Reflection - My Group Constraints
WEEK 4
Organizational Constraints
This week's topic is Organizational Innovation Constraints. We are interested in understanding how organizations function in ways that can facilitate or constrain innovation in terms of their Strategy, Structure, or their Resources. This perspective is grounded in the idea that to develop and execute an innovative idea, you are going to need some form of organization, and the choices you make in terms of its functioning are consequential to its ability to innovate.
6 videos, 4 readings, 1 practice quiz
- Video: L4-Part 1 Introduction
- Video: L4-Part 2 - Story of Xerox PARC
- Video: L4-Part 3 - Strategy Constraints
- Video: L4-Part 4 - Structure Constraints
- Video: L4-Part 5 - Resource Constraints
- Video: L4-Part 6 - Innovation Measures
- Practice Quiz: Week 4 Reading and End of the Week Quiz
- Reading: Week 4 Slides
- Reading: Resource Link: Intrapreneur, Wikipedia Entry
- Reading: Resource Link: The Intrapreneurs' Playbook
- Reading: Optional Readings
- Discussion Prompt: Week 4: Un-Innovative Organizations
Graded: Reflection - My Organizational Constraints
WEEK 5
Industry / Sector Constraints
This week's topic is Industry/Sector Innovation Constraints. We are interested in understanding how the dynamics in a sector will facilitate or constrain innovation. We start with the story of Kodak's invention of the digital camera, trying to understand why they were unable to be successful at commercializing it. While there are some organizational innovation constraints that apply, we'll see that taking the perspective of economics and strategy, looking at competition constraints, supplier constraints, and market constraints, can provide a much more powerful analysis and explanation. We end with a brief overview of the "Disruptive Technology" (aka Innovator's Dilemma) work of C. Christensen, showing it's place within and consistency with the innovation constraints framework.
6 videos, 4 readings, 1 practice quiz
- Video: L5-Part 1 Introduction
- Video: L5-Part 2 Story of Kodak
- Video: L5-Part 3 Competition Constraints
- Video: L5-Part 4 Supplier Constraints
- Video: L5-Part 5 Market Constraints
- Video: L5-Part 6 Disruptive Substitution
- Practice Quiz: Week 5 Reading and End of the Week Quiz
- Reading: Week 5 Slides
- Reading: Reading: 10 Types of Innovation
- Reading: Reading: 2013 Disruptive Technologies Index
- Reading: Optional Readings
- Discussion Prompt: Week 5: Innovative Industries and Sectors
Graded: Reflection: My industry/sector constraints
WEEK 6
Societal Constraints
This week's session explores the perspective of the sociologist and anthropologist. People who adopt this view argue that innovation is likely to be constrained by (1) the views that a society holds of itself, (2) how it enforces those views, and (3) the history by which it came to hold and share those views. In more basic terms, this view suggests that innovation will fail when a society does not see how a proposition for change can make it become more of what it wants to be. Society will oppose changes that are antithetical to the ideals that it holds for itself. This constraint should feel familiar to arts and culture, where so much work challenges how we as individuals, groups and societies see and understand ourselves and our world.
As in other sessions, in addition to the watching the lectures, you are asked to do the diagnostic survey and reflection essay, and participate in the forum discussions. As an additional exercise (All Students), this week will also require you to analyze a case study.
8 videos, 3 readings, 1 practice quiz
- Video: L6-Part 1 Introduction
- Video: L6-Part 2 Human Cloning?
- Video: L6-Part 3 Values & Identity A
- Video: L6-Part 4 Values & Identity B
- Video: L6-Part 5 Social Control
- Video: L6-Part 6 History Constraints
- Video: L6-Part 7A Segway Constraints Analysis
- Video: L6-Part 7B Segway Constraints Analysis
- Practice Quiz: Week 6 Reading and End of the Week Quiz
- Reading: Week 6 Slides
- Reading: Reading: Segway LLC Case
- Reading: Optional Reading
- Discussion Prompt: Week 6: Critical Barriers
Graded: Reflection: My Societal Constraints
WEEK 7
Technological Constraints
This week takes the perspective on innovation of the scientist and engineer. This view holds that innovation is constrained by the laws of nature and our ability to manipulate them. It focuses on the physical limits we hit when we try to do things like improve acoustics, present light-sensitive artifacts in an engaging and immediate way, or bring together thousands of people in one place for a festival. We will develop a model of these "technological constraints" by understanding the roles of 1) our knowledge of physics, chemistry and biology, 2) the nature of time and sequencing, and 3) the natural environment and ecology that form the context for our innovation. The perspective is that innovation will fail when the proposed change does not function or functions in unanticipated ways.
8 videos, 4 readings, 1 practice quiz
- Video: L7-Part 1 Introduction to Technical Constraints
- Video: L7-Part 2 The Story of the Lockheed A-12
- Video: L7-Part 3 Physical Constraints
- Video: L7-Part 4 Overcoming Physical Constraints
- Video: L7-Part 5 Time Constraints
- Video: L7-Part 6 Overcoming Time Constraints
- Video: L7-Part 7 Environment Constraints
- Video: L7-Part 8 Living Within Environment Constraints
- Practice Quiz: Week 7 Reading and End of the Week Quiz
- Reading: Week 7 Slides
- Reading: Reading: Technology First, Needs Last
- Reading: Reading: Nussbaum Responds to Norman
- Reading: Optional Reading
- Discussion Prompt: Week 7: Technological Innovation Meets Resource Constraints
Graded: Reflection: My Technology Constraints
WEEK 8
Leading an Innovation Strategy
Our final week takes on the problem of innovating as if it really mattered. We start with the story of Apollo 13, a life-or-death situation that required intense creative problem-solving, and consider the leadership behaviors that made successful innovation possible. Next, since our focus so far has been on improving our own ability to innovate, we discuss how to use the innovation constraint model to drive adoption by those people who are the targets of our change. We then revisit the question of process, and look at the role of the leader during each phase of a team's innovation journey. Moving to the organization-level of analysis we explore innovation portfolios and their ability to help us manage risk. Finally, by way of conclusion in the course, we talk about the nature of YOUR constraints and the ways that you can continue to identify them and find ways to work around them.
13 videos, 3 readings, 1 practice quiz
- Video: L8-Part 1 Intro to Leading Innovation
- Video: L8-Part 2 Story of Apollo 13
- Video: L8-Part 3a Driving Adoption
- Video: L8-Part 3b Driving Adoption
- Video: L8-Part 4a Leading the Process
- Video: L8-Part 4b Leading the Process
- Video: L8-Part 4c Leading the Process
- Video: L8-Part 5A Innovative Orgs
- Video: L8-Part 5B Portfolio Maps
- Video: L8-Part 5C Portfolio Maps Continued
- Video: L8-Part 5D Projects
- Video: L8-Part 6 Your Constraints
- Video: L8-Part 7 Stop Creative People
- Practice Quiz: Week 8 Reading and End of the Week Quiz
- Reading: Week 8 Slides
- Reading: Reading: Embracing Risk to Learn, Grow and Innovate
- Reading: Optional Reading
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Vanderbilt University, located in Nashville, Tenn., is a private research university and medical center offering a full-range of undergraduate, graduate and professional degrees.
National Arts Strategies
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This course has a framework which can be applied in any area.
Is not made express for arts and culture but it really applies!!! so happy to course it
Eye opening.
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Delivers high value. Easy to follow through